
photo: Michael Pyne |
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Recent Projects
Wrote & recorded
Stella:
Black & White, a text-music
collaboration with the Canadian electronic music composer
John Mills-Cockell.
The piece was performed in 1995 at the Writer's Cabaret as part of the
Vancouver Writer's festival, 1995.
Recorded and performed a cycle of poems and music with the Canadian
flautist and recording artist Robert Bick, entitled
Lizard Man,
1996.
Recorded and performed a music-text collaboration with local electronic
musician Thomas Cournoyer entitled
Mind Fields, Parts 1 & 2.
1996.
Performed with
The Three Poets, an improvising performance trio
(voice, Blake Parker -- guitar,
Paul Landsberg – percussion,
Steven Parish).
Many different performances, including a workshop at the Selkirk College
Music Program, performances at the Samm iz Dat gallery and a live broadcast
for
Kootenay Co-Op Radio, 1997 - 2002.
Performance with
Joanna DeSouza (formerly
Das), the Toronto Kathak Dancer, of a long poem
entitled “X-Ray Animals” at the Premiere Dance Theatre at Harbourfront in Toronto, Sept. 1997.
Performance with
Joanna DeSouza at the Toronto Dance Fringe Festival at
Buddy’s in Bad Times. In this collaborative work Joanna Das & myself worked
with Ritesh Das of the Toronto Tabla Ensemble, a flamenco guitarist, and
Eric Parker playing serangi, 1998.
Numerous readings at various venues including the Samm iz Dat
gallery, the Station Manor Cafe, the Centennial Art Gallery, Nelson StreetFest, the David Thompson University Centre, Glacier Gourmet, The Fluid
Lounge etc. Several of these have been shown on local community television,
1998 - 2002.
Completed a full length screenplay entitled
Drop Dead
Scene in collaboration with the Canadian song writer and recording
artist
Colin (Jude) Davison. This project includes a CD of recorded music by
the fictional band which is the subject of the screenplay. We are currently
working on a web site loosely based upon the “Drop Dead Scene” screenplay.
This work is understood as an initial exploration of the creative
possibilities of the web, 1998-99.
Completed an hour long pilot radio show featuring music and spoken
word for a proposed co-op radio station in Nelson. Went on to
host four live shows featuring spoken word for Kootenay Co-Op Radio, 1998-99.
Performed and recorded a major mixed media piece entitled
Wireless Bodies
in collaboration with video artist Ruby Truly and
Howard Bearham of Data
Zoo. The work was performed at the Alternator Gallery in Kelowna on March 2,
’99. It included improvised computer graphics, narrative poetry and live
as well as pre-recorded video images. Conceptually, the work addressed
the predicament of the human body, trapped as it so often is, in the domain
of commercial media, 1999.
Performed a version of
Wireless Bodies in Vancouver, Oct. 26, ’99 at
the Havana Gallery on Commercial drive as part of the Live at the End of
the Century Performance Art festival in Vancouver. For this performance
we (myself, Howard Bearham &
Ruby Truly) worked with the Canadian electronic
music composer and performer,
John Mills-Cockell, 1999.
Wrote a screenplay entitled
Slow Resurrection: The Life and
Times of Leland Frank in collaboration with
Colin (Jude) Davison. It
is about a country and western singer in the year 2033. In the screenplay,
we explore the themes of Apocalypse, the nature of dreams and their
interpretation in a society devastated by a deadly infectious plague. A CD
of Leland Frank’s songs has been recorded, 1999.
Hosted a half/hour radio program entitled simply “Bedtime Stories”
on Kootenay Co-Op Radio on which I read & discussed fairy tales, 1999-2002.
A remixed track from the 3Poets on Kootenay Co-op Radio
celebration
of the Millenium CD, 2000.
3Poets CD in the works.
Toured the live multi-media performance piece
Slow Resurrection:
the Life & Times of Leland Frank with funding from the Columbia Basin
Trust. The show included self-produced video, music, poetry and theatrical
elements, May & June, 2000.
Performed “X-Ray Animals” with Joanna Das at her show entitled
Joanna Das & Friends at the Du Maurier Theatre Centre, Harbourfront
Centre, Toronto, 2000.
I am in the process of editing a video of
Slow Resurrection: The
Life and Times of Leland Frank. The video footage used in the live
multi-media presentation is being mixed with video footage of the live
show. The finished video will be 1 and ˝ hours long and include a digitally
recorded sound-track, 2001-02.
Invited to be an artist in residence (with Joanna Das) at the three
week interdisciplinary project entitled Across Oceans at Home in June
of 2001 at York University in Toronto. The festival was hosted by the
dancer Maxine Heppner. Workshopped new material with Joanna Das and
participated in various workshops, lectures & symposia pertaining to
collaborative process.
Performed with the Toronto Tabla Ensemble in Nelson when they were
touring the West, 2001.
Conceived, staged & performed a two act show in Nelson with the
3Poets & video artist Howard Bearham. The show was entitled:
Magic
Stories, Beats & Wire Music, Nov. 30, 2001.
Working on a short video piece in collaboration with Joanna Das based
around her dance & a story drawing upon fairy tale imagery. Original footage
was shot at the Across Oceans at Home Festival, 2002.
Re-wrote & performed two shows (with Colin/Jude Davison) of
The Life &
Times of Leland Frank at the PerforMarch Festival of Performing
Arts in Nelson in Mid March 2002. I also performed twice with the 3 Poets
ensemble at this same festival.
Published
Reptiles at the Movies, a book of performance
poems as an issue of Rift Magazine, 2003.
Writer in Residence at the Across Oceans at Home Festival,
Toronto. Festival hosted by the dancer Maxine Heppner. Canada Council travel
grant from the Inter-Arts Program, 2002.
Edited a video version of the short
Leland Frank Show.
Produced a CD of the sound track.
The
Cyborg Projects. During the time of my cancer treatment and
convalescence I developed a number of texts concerned with what cyborg
metaphor. The first,
Green
River
is a fairy story set in the future about a young man’s journey towards self
knowledge. The second,
The Roy King Story concerns a cyborg who
has fallen on hard times.
Composed lyrics for CD
Concerto of Deliverance
by Canadian electronic music composer
John Mills-Cockell. CD released in
2003.
Developing the
Fairy
Story based upon the
Green River tale for a
multi-media performance and video with my daughter the singer
Eva
Tree, 2005.
I am currently engaged in an extensive retrospective recording project
called the
Terminal City Project at the recording studio of
Jude (aka
Colin Davison) which will produce a number CDs of my earlier work. Several
of these will be produced as short experimental videos.
I am currently working with an editor to prepare a number of earlier
manuscripts for publication. |
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